Against the wall, small statues of the XVII and XVIIIè centuries, Saint Roch recalls a little santons them of Provence, Sainte Marguerite has primitive sides, a little tubby woman but full with spirit, and the great Jean Saint with his dancing foot is a little Aquitanian. In the center of the furnace bridge, Holy Mathieu, Tuscan part of XVème.
On both sides of the furnace bridge, two penitent lying (end XVIIè) was intended to carry the candles in the churches
Two fabrics of Massarotti (1655-1732). It is all the Italian art, with colors chatoyantes, extremely pretty characters, it is extremely pleasant to look from the painting point of view; as spirituality it is not very deep, but this is the terribly anecdotic technique baroque Italian.
It also has a small Flemish School of XVIIè, Golgotha in which one of the didactic parts of XVIIè is found, made with the imitation of the stained glasses of the Middle Ages, all the scenes of Passion on the same table, with the expression very marked of the characters, intended to give a very exact idea of the part played by each one in the history. In the foreground hatred, in the second plan the suffering of the women, has third plan the loneliness of Christ, all that treated on a maroon green bottom rather dark which recalls that it is Golgotha, but filled of a crowd of small colors formed by clothing. It is already a work enough mannerist under his very primitive aspects
